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Raymond Farr



The 20-20 Experience

Baby’s in the Hyundai
With blind Doug driving

Is it no wonder I invent seedless watermelons?!

When god is just a working theory
Based on anecdotal evidence?!

& the sequence
Just ends?!

Fighting pink eye with peroxide is also kaput!

I scrub & I scrub
Screeching under oath

But can’t tolerate a guppy
Of the implausible



Instead of Suddenly

As signatories
In red pajamas

We love the new “Normal”

Its poête maudit of empty gestures
Is the fly in our gumbo

Driving us bonkers

Is the poet a suspect?
Of Loony Tunes, supper, etc?

Instead of suddenly

The room softens existentially
Breaking down boxes, setting fire to doors

(An impossible room
To leave

Happy?)



We Are Creatures

Writing this is elegy
To infinite noise

We sleep in
We step up

In sync—in space—with particular voices
Our off spring screaming in puerile darkness

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  Do you hear them?
Someone is reading a passage aloud

Digging their tunnels
Thru all white
Earth





















We are creatures
We say ink

& mean death



The Ghost of Its Swordfish

Configured to
Crackle like campfires

A ripped-in-half moon

Eats circular donuts
Which faces resemble

Like phone books
Like wheels

No digital identity
But the ghost of its

Swordfish
Is a fractured

Broad daylight
Dotting the virile landscape

A password reality
Meaning

Goad the Fatted Calf
Compositionally

Next morning
I set out



The Rainbow of Such Occurrences

As the good
Dead Elizabethan poet
I am
I state solid states
Exist in decline
I tick like a face
Second by second
Chance
& this makes
Me “modern”
Too Hugo to analyze
This is/is not
A science class, kids!
Thus the glass
Of my facts
Is fractured at
BANG!
& pages I write
Have 22 nick names
This is the crux
Of a straight line
I laugh at—

(open heart) star
Which (according to Einstein)

Can never exist
(As bovine film noir)

Except theoretically



Hang On, Mr. Head Banger!

In version
One
Of version one
A suspect—
Giorgio De Chirico—
Attempts
Rodeo Dr.
Half-alive & standing
Still
Even as tomorrow
Speeds out
His laptop is
Air born—
Gunned
Into surreal
Police car—You freak, you!
Is that Parmesan cheese
On my new
Bruno Margli’s?!
Hang on, Mr. Head Banger!
Yr mother’s a Brillo
Box I opened once
In a book about
Pop Art
Oh, damn! Are you
Alright, spangled rain
Drop?!
& Richard
Dawson sd—
Show me Grunge!
& it was like…
I meant it



The Opposite of Time in a Bottle Happens

Stealing yr “papa’s good shoes”
Galumphing them onto Fred Flintstone’s
Burly Picasso-feet
You copyright yr larceny
All sides congruent with effrontery—

Protect Me from What I Want enjambed with
Enjoined by Art Is Useless, Go Home

For ideas are bathtubs—quiet manor Sunday dinner
They bulge out the aperture
Seeming Quixotic language
As far as I can
Throw you



The Mot Juste People
Their burgeoning plasticity is our addled duality. & we all know what that means at least ½ of the time. We’re all like Shit! Did I do that? No one’s on steroids here except our poems. Our first step’s a fragment—a bloated link between links. & like plate glass in so many poems it’s weird shit. We just want bigger & bigger poems on steroids than ever we dreamed of.




Raymond Farr is author of numerous books in print, including Ecstatic/.of facts (Otoliths 2011) as well as Starched, Rien Ici, &Writing What For? across the Mourning Sky. His latest book, Poetry in the Age of Zero Grav, is due out in 2014. He is editor of the experimental poetry zine Blue & Yellow Dog (http://blueyellowdog.weebly.com).
 
 
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