Felino A. Soriano
from Sedentary Fathoms
Felino A. Soriano’s poetry appears in CHURN, BlazeVOX, 3:AM Magazine, The National Poetry Review, Small Po[r]tions, and elsewhere. His books of poetry include Vocal Apparitions: New & Selected Poems: 2012 – 2016 (2016), sparse anatomies of single antecedents (2015), Of isolated limning (2014), Pathos|particular invocation (2013), Of language|s| the rain speaks (2012), Intentions of Aligned Demarcations (2011), In Praise of Absolute Interpretation (2010), Construed Implications (2009), and Among the Interrogated (2008). His collaborative collection Quintet Dialogues: translating introspection, which features visual art from David Allen Reed is forthcoming from Howling Dog Press.
He publishes the online journal Of/with, and is a contributing editor at Sugar Mule.
Visit Of the poetry this jazz portends for more information.
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from Sedentary Fathoms
Sedentary Fathoms
|section four|
Abbreviated spectrums
of wind and its holding
hollow acclimations. Colors
continue contain what the
eye donates in sound and
evolved ornamentations. What
is brief now is a diverted
emblem of sophisticated
silhouettes teeming
toward evaluated seizing
of serial contours, selected
by breaking first
what was whole in name and
corporeal fascinations
1/4/17
Sedentary Fathoms
|section five|
How this holds
thematic
water as does the moth
unfolding angles
into light and
broken mathematics—
hands, alone are
what miracles breed
within an unexpected vantage—
certain serial rhythms
reveal unopened diagrams of
sound and language
abstractions,
bridging home with exterior
etchings reviving what
inherits uncertain
altruistic
euphony
1/5/17
Sedentary Fathoms
|section six|
Dual melodies. Mirrored decisions.
Unknown these surfaces, aesthetic
accolades fading into freed
versions of decisive alt
-erations. Mobile these
divided emblems: two bodies
broken from a diameter’s
predetermined definitions... separated
focuses finding clear
content, woven interior
from voices fading and
determined semblances of
oscillating momentums
1/6/17
Sedentary Fathoms
|section seven|
Styles define what leads our motives.
Encapsulated
virtues extend some
-where within
wandering
ideologies. Persona-shifts,
faded mirror attributes,
curtain-reveal
whereabouts
above the body’s
rewound figments
encouraging association with
multilingual
experiential
data
1/7/17
Sedentary Fathoms
|section eight|
Cycling math
recycled
meander this
tone-on tune-in inward hollow theme
searches as do I toward
a healing version of Music’s contextual identity.
More so my own nuances
cycle into rhythms and uncertain or
broken cadences. Trust, here, is
what needs both blessing and my
most intuitive expressive
devotion. Behind the sound is an
inventive tone or unbiased
record of a historical dialect; I’ve
dialogued enough with _____ unwilling
to infuriate an exterior
motivated disdain for
societal devotion toward
a behavior of isolating
succinct vitriolic phrases
1/7/17
Sedentary Fathoms
|section nine|
Composure hears our predetermined
freedoms, our forays inward first
then exterior to sound and
introverted foundation. Either
home is rhythm
or
its walls speak in tonal
routines
awakening as when
the body becomes
other than the expected,
architectural platitude
1/8/17
Felino A. Soriano’s poetry appears in CHURN, BlazeVOX, 3:AM Magazine, The National Poetry Review, Small Po[r]tions, and elsewhere. His books of poetry include Vocal Apparitions: New & Selected Poems: 2012 – 2016 (2016), sparse anatomies of single antecedents (2015), Of isolated limning (2014), Pathos|particular invocation (2013), Of language|s| the rain speaks (2012), Intentions of Aligned Demarcations (2011), In Praise of Absolute Interpretation (2010), Construed Implications (2009), and Among the Interrogated (2008). His collaborative collection Quintet Dialogues: translating introspection, which features visual art from David Allen Reed is forthcoming from Howling Dog Press.
He publishes the online journal Of/with, and is a contributing editor at Sugar Mule.
Visit Of the poetry this jazz portends for more information.