Owen Bullock
returning, I check that things remain
van Gogh’s chair
in the National Gallery
earts in the lanes
white peaks as you approach
St Austell
stone hot water bottles
for sale
in the Market House
               this time
               the Market House
               closed
four chairs
the general sat in white wicker
planning the attack
smiling at you over tea
talking about the tractor’s engine
a strange bird cry heard in the night
the director relaxed and pushed back
the crucial shot captured
he wanted to surf the place he occupied
with uncertainty as a board
the nursing teacher eased a right turn
as she asked the young apprentice
why did you want to be a nurse?
the boy sat for his birthday treat
waited
till the alarm rang
on his childhood
in an empty tin
shoebox
notebooks
that refused to become anything
birth certificates
letters of thanks
unusable adaptors
a picture of Mozart by a five year-old
a white feather
a rare letter from father
calligraphied lines from Blake
the key for tuning the drum
a guarantee
Owen Bullock’s publications include River’s Edge (Recent Work Press, 2016), urban haiku (Recent Work Press, 2015), A Cornish Story (Palores, 2010) and sometimes the sky isn’t big enough (Steele Roberts, 2010). He has edited a number of journals, including Poetry New Zealand. He is a PhD Candidate in Creative Writing at the University of Canberra.
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returning, I check that things remain
van Gogh’s chair
in the National Gallery
earts in the lanes
white peaks as you approach
St Austell
stone hot water bottles
for sale
in the Market House
               this time
               the Market House
               closed
four chairs
the general sat in white wicker
planning the attack
smiling at you over tea
talking about the tractor’s engine
a strange bird cry heard in the night
the director relaxed and pushed back
the crucial shot captured
he wanted to surf the place he occupied
with uncertainty as a board
the nursing teacher eased a right turn
as she asked the young apprentice
why did you want to be a nurse?
the boy sat for his birthday treat
waited
till the alarm rang
on his childhood
in an empty tin
shoebox
notebooks
that refused to become anything
birth certificates
letters of thanks
unusable adaptors
a picture of Mozart by a five year-old
a white feather
a rare letter from father
calligraphied lines from Blake
the key for tuning the drum
a guarantee
Owen Bullock’s publications include River’s Edge (Recent Work Press, 2016), urban haiku (Recent Work Press, 2015), A Cornish Story (Palores, 2010) and sometimes the sky isn’t big enough (Steele Roberts, 2010). He has edited a number of journals, including Poetry New Zealand. He is a PhD Candidate in Creative Writing at the University of Canberra.