Olchar E. Lindsann
   Post erior ex Tinction
               the spiiring catch-all ,limit hitched or
               scrimming rashly in the ,tidal ,
                                             in the progr
                              essive ,in the mire —en
                              the order dans the
                              even in the kitch—ens
                                             dance upon the
                                             foam of knuckles
                              wratched 4000 years
                                             phalanxes closing
                                             in to, batt le
                                             phalanges closing
                              up on, ratt le
                              -pression stunned 2000
               of the social hypnotised
                                                                           (she intoned)
                              cette   topia of fingers
               dirt-itched writhedged ,f  linched
                                             descendant path dream
                                                            mirrored
               eurydice cuckold descendant
               incoherence rot-etched civil-
issed deja curate of eht northern crown
                                             it no ,sand batt le
                                             harmonic comb
                                             ined it no, st
                                                            unned
                                             in the confused
                              waves of skinbone series
                              in the shadow 80,000
                                             the leap the
                                                            from the
                                                                           leap
                              gallop or machine as
if Fieschi flailed in la danse frénetique
                                             avec nous
                              nestle of golden tending
                              in the niege-curve sprintly
                              nerve-curled nueht nymph-sprung
                                                            ,bracket
                                                    ed
               visage typographique
page of pulses contrast d'amour gnaw
alabaster shivering avec nor ,past all
               poltergeist extrapolation
               in the barricaded veins
spattered gristle cross the slope of smoke
               consclice demure ,eht law
                     Llullabbye
               ~^~^~^~^~^~^~^~^~^~^~^~^~^~^
                  “other's fury knew no bo”
                              -Lautréamont
               ~^~^~^~^~^~^~^~^~^~^~^~^~^~^
infested with divine exfoliation trash
                              it all your filiate rage
monoxide whisperer you, creeping, ash, be
tray fall mining rageous in the fast crisp floor
                              he thought: eht roaring palls
as if lenticular convulsions burst embraced your flaccid biped raging
               in eht lash of slinting cough
                                                            rage
rattling lonely itna cumulus death
                                             glove rage
endear or minting sorghum catalepsy
                                             rage tarmac
                                             bloated you
               brace in gilgam furrows rage
                              Théâtre of Operation
               ~~~~~~~~~~~~~~~~~~~~~~~^~
“ s saines docctrines de la contre-révolution et de l'église,
et voici qu'audjourd'hui vous allez guerroyer en faveur
des saines doctrines d'Aristote.”
               -Nerval, Tribune Romantique, No. 2, April 1830
               •               •               •
“ the theater of cruelty is not a representation. It is life
itself, in the extent to which life is unrepresentable.
Life is the nonrepresentable ori ”
               -Derrida, 'The Theater of Cruelty and the Closure
of Representation' trans. Alan Bass
               ~^~~~~~~~~~~~~~~~~~~~~~~~
                                                            re pre
                                             ton vol yr when
                                             is sent con, vulsion
                              pulsion steepped in street ô
                              offal mired or gore
                                                            today
                              injour en splinters wrench
                              ô present sang lant wretch ô
               gesture du faim volution cruel
               wre portant fleuve l'é stage the poor
               fumée àgainst, eht Walmart gluten
maissive sur, in missile asp soliloquy
                                             ô doubly wrent
                                             with teeth avec
               or pride of thrashant scumble ,d
                              holy holy holy
thrembles of striated whimper à
               phosphorescent spittle-sky
               cadavrous blue en tangle “n nous
               Qatar blockaide reportant scent               (Cordellier-Delanoue, re
               à cette date doublement catahrr                   garding the Trib
subli révolutionnaire, nous éprouvions                          une Romantique, ib
strilated from the flesh un c ,risp certain                   id
SUV orgueil à nous dire: “J'était                                 .)
phynance de la grande lutte! j'ai fai”
               crost the boards, droned towrs
               coolcased generators épée
clouds of storage oilfed ô froated chords eht
               prompter dans le pit the slow
re-nounced ou smashed à “re–Artaud w
. . . th the imitative raptrous Cenci des                                                     (Derri
roches de concept of pounced en frénesie, cruel artériole                              da, i
visages étranges art, with the domination de, Macron résiduel de                    bid.)
   la fracture du Aristotelean EU avec les masques mégaphonique , le pus
    des perruques aesthetics in which en transd,unction ,bureau
   aristo cratique the metaph” glissant dans luminescent de
fibrillator crescent manicule of must
bona fide re, slasher sans ,lationship à
personne or entity, convulsive ,dans
l'États United ,gesture ô casual
                                             ties – re:
               liberty liberty liberty
               jobs      jobs    jobs                morescent lavender as incest murder voix
wherein bulletsprayed wherein blockade
                              the burgeoning of bitten
               buy    buy    buy
               prompt frénétique avec le pit
               the market swall owes barrels ex
                              it left the, blocking
                              to the wound, point
                                                            blanc
               ~~~~~~~~~~~~~~~~~~~~~~~^~
“scuits and... a machine-g . . . ooking office of the theatre of ope”
               -Urmuz, 'Gayk'
Olchar E. Lindsann is a co-founder of the Post-NeoAbsurdist network, has published around forty books of poetry, critical theory, and avant-garde history, and has performed sound poetry across the US and UK. He is the editor of mOnocle-Lash Anti-Press and the journals in-Appropriated Press and Rêvenance: Hauntings from Underground Histories. He lives in Roanoke, Virginia where he teaches at a progressive alternative high school and co-organizes the AfterMAF Festival, and maintains several archive dedicated to various aspects of the contemporary and historical avant-garde.
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   Post erior ex Tinction
~~@~~~~~~~~~~~~~~~~~~^~~               300 digits flex atwitch
   “fingers
amid
          fingers.”
               -mIEKAL aND, Svengali
                      ~~~^~~
“phalanx will make a case for entertaining”
               -Charles Fourier
~~^~~~~~~~~~~~~~~~~~~@~~
               the spiiring catch-all ,limit hitched or
               scrimming rashly in the ,tidal ,
                                             in the progr
                              essive ,in the mire —en
                              the order dans the
                              even in the kitch—ens
                                             dance upon the
                                             foam of knuckles
                              wratched 4000 years
                                             phalanxes closing
                                             in to, batt le
                                             phalanges closing
                              up on, ratt le
                              -pression stunned 2000
               of the social hypnotised
                                                                           (she intoned)
                              cette   topia of fingers
               dirt-itched writhedged ,f  linched
                                             descendant path dream
                                                            mirrored
               eurydice cuckold descendant
               incoherence rot-etched civil-
issed deja curate of eht northern crown
                                             it no ,sand batt le
                                             harmonic comb
                                             ined it no, st
                                                            unned
                                             in the confused
                              waves of skinbone series
                              in the shadow 80,000
                                             the leap the
                                                            from the
                                                                           leap
                                    infernal
Clear
^^^^^^^^^^^^^^^^^
“a void around the king”
               Pelissier, on 2 July, 1835.
               ~ ~ ~ ~
“iss us, rot the world as it may, y”
               Galatea, on dit.
^^^^^^^^^^^^^^^^^
                              gallop or machine as
if Fieschi flailed in la danse frénetique
                                             avec nous
                              nestle of golden tending
                              in the niege-curve sprintly
                              nerve-curled nueht nymph-sprung
                                                            ,bracket
                                                    ed
               visage typographique
page of pulses contrast d'amour gnaw
alabaster shivering avec nor ,past all
               poltergeist extrapolation
               in the barricaded veins
spattered gristle cross the slope of smoke
               consclice demure ,eht law
                     Llullabbye
               ~^~^~^~^~^~^~^~^~^~^~^~^~^~^
                  “other's fury knew no bo”
                              -Lautréamont
               ~^~^~^~^~^~^~^~^~^~^~^~^~^~^
infested with divine exfoliation trash
                              it all your filiate rage
monoxide whisperer you, creeping, ash, be
tray fall mining rageous in the fast crisp floor
                              he thought: eht roaring palls
as if lenticular convulsions burst embraced your flaccid biped raging
               in eht lash of slinting cough
                                                            rage
rattling lonely itna cumulus death
                                             glove rage
endear or minting sorghum catalepsy
                                             rage tarmac
                                             bloated you
               brace in gilgam furrows rage
                              Théâtre of Operation
               ~~~~~~~~~~~~~~~~~~~~~~~^~
“ s saines docctrines de la contre-révolution et de l'église,
et voici qu'audjourd'hui vous allez guerroyer en faveur
des saines doctrines d'Aristote.”
               -Nerval, Tribune Romantique, No. 2, April 1830
               •               •               •
“ the theater of cruelty is not a representation. It is life
itself, in the extent to which life is unrepresentable.
Life is the nonrepresentable ori ”
               -Derrida, 'The Theater of Cruelty and the Closure
of Representation' trans. Alan Bass
               ~^~~~~~~~~~~~~~~~~~~~~~~~
                                                            re pre
                                             ton vol yr when
                                             is sent con, vulsion
                              pulsion steepped in street ô
                              offal mired or gore
                                                            today
                              injour en splinters wrench
                              ô present sang lant wretch ô
               gesture du faim volution cruel
               wre portant fleuve l'é stage the poor
               fumée àgainst, eht Walmart gluten
maissive sur, in missile asp soliloquy
                                             ô doubly wrent
                                             with teeth avec
               or pride of thrashant scumble ,d
                              holy holy holy
thrembles of striated whimper à
               phosphorescent spittle-sky
               cadavrous blue en tangle “n nous
               Qatar blockaide reportant scent               (Cordellier-Delanoue, re
               à cette date doublement catahrr                   garding the Trib
subli révolutionnaire, nous éprouvions                          une Romantique, ib
strilated from the flesh un c ,risp certain                   id
SUV orgueil à nous dire: “J'était                                 .)
phynance de la grande lutte! j'ai fai”
               crost the boards, droned towrs
               coolcased generators épée
clouds of storage oilfed ô froated chords eht
               prompter dans le pit the slow
re-nounced ou smashed à “re–Artaud w
. . . th the imitative raptrous Cenci des                                                     (Derri
roches de concept of pounced en frénesie, cruel artériole                              da, i
visages étranges art, with the domination de, Macron résiduel de                    bid.)
   la fracture du Aristotelean EU avec les masques mégaphonique , le pus
    des perruques aesthetics in which en transd,unction ,bureau
   aristo cratique the metaph” glissant dans luminescent de
fibrillator crescent manicule of must
bona fide re, slasher sans ,lationship à
personne or entity, convulsive ,dans
l'États United ,gesture ô casual
                                             ties – re:
               liberty liberty liberty
               jobs      jobs    jobs                morescent lavender as incest murder voix
wherein bulletsprayed wherein blockade
                              the burgeoning of bitten
               buy    buy    buy
               prompt frénétique avec le pit
               the market swall owes barrels ex
                              it left the, blocking
                              to the wound, point
                                                            blanc
               ~~~~~~~~~~~~~~~~~~~~~~~^~
“scuits and... a machine-g . . . ooking office of the theatre of ope”
               -Urmuz, 'Gayk'
Olchar E. Lindsann is a co-founder of the Post-NeoAbsurdist network, has published around forty books of poetry, critical theory, and avant-garde history, and has performed sound poetry across the US and UK. He is the editor of mOnocle-Lash Anti-Press and the journals in-Appropriated Press and Rêvenance: Hauntings from Underground Histories. He lives in Roanoke, Virginia where he teaches at a progressive alternative high school and co-organizes the AfterMAF Festival, and maintains several archive dedicated to various aspects of the contemporary and historical avant-garde.