hiromi suzuki & Márton Koppány
A Story
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Note: Márton Koppány made the first page of this story, hiromi suzuki the next. They continued to alternate the making of the subsequent pages.
hiromi suzuki is an illustrator, poet, artist living in Tokyo, Japan. A contributor to the Japanese poetry magazine "gui" (run by members of the Japanese "VOU" group of poets, founded by the late Kitasono Katue). Author of Ms. cried, 77 poems by hiromi suzuki (kisaragi publishing, 2013 ISBN978-4-901850-42-1). Her works are published internationally in Otoliths, BlazeVOX, Empty Mirror, Experiment-O, M58, DATABLEED, Black Market Re-View, Burning House Press, h&, BRAVE NEW WORD magazine, DODGING THE RAIN, Jazz Cigarette, TAPE HISS zine and NationalPoetryMonth.ca 2015 / 2017 amongst other places.
web site: http://hiromisuzukimicrojournal.tumblr.com/
Márton Koppány (b. 1953) lives in Budapest, Hungary. His books include: Immortality and Freedom, Coracle, 1991; The Other Side, Kalligram 1999; To Be Or    To Be, Runaway Spoon Press, 1996; Investigations and Other Sequences, Ahadada, 2003; Endgames, Modulations, Addenda, all by Otoliths, 2008, 2010, 2012; this is visual poetry, 2010; The Reader, Runaway Spoon Press, 2012; The Seer, Redfox Press, 2017. Digital collections: Waves (2008), Hungarian LangArt (2014), and The Aha Moment (2016), all by E∙ratio.
Collaborative books include : From The Annual Records of The Cloud Appreciation Society with Nico Vassilakis, Otoliths, 2008; Short Movies, with Jukka-Pekka Kervinen, cPress, 2008; very short stories with Andrew Topel, avantacular press, 2010; Book of Numbers, with Jim Leftwich, Luna Bisonte Prods, 2011. An ongoing collaborative project with Anatol Knotek is online at Márton and Anatol.
In anthologies: The Last Vispo, A Global Visuage, The Dark Would, The New Concrete. First exhibitions: Franklin Furnace, 1982, Barbican Library, 1989, Woodland Pattern, 1991. Recent shows: Text Festival, Manchester, 2011 and 2014; The Dark Would, Edinburgh, 2013. Recent readings (2011-2013): The Art Institute, and The Green Lantern, Chicago; Woodland Pattern, Milwaukee; UNF, Jacksonville; Birkbeck, Rich Mix and X Marks the Bökship, London.
The PDF versions of some of his more recent books can be downloaded here:
https://sites.google.com/site/booksbymartonkoppany/
previous page     contents     next page
A Story
Note: Márton Koppány made the first page of this story, hiromi suzuki the next. They continued to alternate the making of the subsequent pages.
hiromi suzuki is an illustrator, poet, artist living in Tokyo, Japan. A contributor to the Japanese poetry magazine "gui" (run by members of the Japanese "VOU" group of poets, founded by the late Kitasono Katue). Author of Ms. cried, 77 poems by hiromi suzuki (kisaragi publishing, 2013 ISBN978-4-901850-42-1). Her works are published internationally in Otoliths, BlazeVOX, Empty Mirror, Experiment-O, M58, DATABLEED, Black Market Re-View, Burning House Press, h&, BRAVE NEW WORD magazine, DODGING THE RAIN, Jazz Cigarette, TAPE HISS zine and NationalPoetryMonth.ca 2015 / 2017 amongst other places.
web site: http://hiromisuzukimicrojournal.tumblr.com/
Márton Koppány (b. 1953) lives in Budapest, Hungary. His books include: Immortality and Freedom, Coracle, 1991; The Other Side, Kalligram 1999; To Be Or    To Be, Runaway Spoon Press, 1996; Investigations and Other Sequences, Ahadada, 2003; Endgames, Modulations, Addenda, all by Otoliths, 2008, 2010, 2012; this is visual poetry, 2010; The Reader, Runaway Spoon Press, 2012; The Seer, Redfox Press, 2017. Digital collections: Waves (2008), Hungarian LangArt (2014), and The Aha Moment (2016), all by E∙ratio.
Collaborative books include : From The Annual Records of The Cloud Appreciation Society with Nico Vassilakis, Otoliths, 2008; Short Movies, with Jukka-Pekka Kervinen, cPress, 2008; very short stories with Andrew Topel, avantacular press, 2010; Book of Numbers, with Jim Leftwich, Luna Bisonte Prods, 2011. An ongoing collaborative project with Anatol Knotek is online at Márton and Anatol.
In anthologies: The Last Vispo, A Global Visuage, The Dark Would, The New Concrete. First exhibitions: Franklin Furnace, 1982, Barbican Library, 1989, Woodland Pattern, 1991. Recent shows: Text Festival, Manchester, 2011 and 2014; The Dark Would, Edinburgh, 2013. Recent readings (2011-2013): The Art Institute, and The Green Lantern, Chicago; Woodland Pattern, Milwaukee; UNF, Jacksonville; Birkbeck, Rich Mix and X Marks the Bökship, London.
The PDF versions of some of his more recent books can be downloaded here:
https://sites.google.com/site/booksbymartonkoppany/