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Jill Jones


Difficult Poem

(yeah, like a


lucid tiff fit of plum dolt cuff

epic mould cute plod dulcet mop

coiffed lump polemic fit demotic puff

muffled tic code flip deficit flop

melodic if cleft podium iced muff

tumid elf difficult mope lucid top



One City Is (space mix)

One city is another city I clothe streets
pluck luxury
One city is green and blue each word a stitch
one city and yellow
arpeggios seams heels dreams it all goes around (and around)
the cadence adjusts
each city late at night

I dress like the moon
that meddle
I dress like the sun arrogant teasing
I fumble with chambers
I play all the organs I failed the room
I repeal blush
There are roads throughout needless
figments (figments figments)

I was born in the afternoon chafe at fashion fuss
fragments in my homely head



One City Is Another (dream radio remix)

I was born in the afternoon
I wake up in fragments
in my homely forehead

I still chafe at fashion

I dress like the sun
arrogantly and teasingly
even in embrace

I fumble with chambers

I dress like the moon
around that satin breeze
Dreams are a meddle

Inside me a cadence seams

One city is green and blue
each word is a stitch
One city is another city

I am clothed in all of them



One City Is (alt space mix)

pluck each word
along my indolent sinew

this gown this shirt this glove
it all may turn around

cadence drapes, it adjusts
around that satin in the breeze
in dreams
that meddle

even the embraces
I failed at in the room
paint them cover them

blushes
their needless opera

everything’s a terrible plan
recordless trance

I wake up in fragments
one city another



The Light of the Plants that are Growing (a cento)

I am a reed. My river waits reply.
An old shell singing.
I never yield but wait.

Across the red sky two birds flying.
Little voices of the air. A ribbon at a time.
Ways one could be learning to use in being gay.

I whirl like leaves in roaring wind.
The blood is listening in my frame.
The skirt. And water.

You mean ocean water.
Not exactly an ocean a sea. A success.
The tawny sweetwinged thing.

Yes we see it every night near the hills.
This is so natural. Birds do it.
We do not know their name.

I held her hand the tighter.
Shadows hold their breath.
With what. With what I said.

[Phrases/lines from Emily Dickinson, Nos. 14, 72, 162, 320; Katherine Mansfield, ‘Now I am a Plant, a Weed’, ‘Across the Red Sky’, ‘Voices of the Air’; H.D., ‘She Contrasts With Herself Hippolyta’; Gertrude Stein, ‘Lifting Belly’, as well as poem-versions of Sappho by Percy Bysshe Shelley, ‘To Constantia, Singing’; Alfred Tennyson, ‘Fatima’; Algernon Swinburne, ‘Songs of the Springtides’; and Elizabeth Barrett Browning, ‘Song of the Rose’, words from this last forming the poem’s title.]



Jill Jones has published eleven books of poetry, and a number of chapbooks. Recent books include Viva the Real (UQP), Brink (Five Islands), and Breaking the Days (Whitmore Press). She lives in Adelaide where she is co-publisher, with Alison Flett, of Little Windows Press.
 
 
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