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Article 4

Pam Brown


(stasis shuffle)

i have nothing to say
&
i'm saying it

famous words (as they say)
from john cage
&
i said it this morning
at the cafe
with friends –

poets —

one whose strategy is to retire
from poetry
that is to perform
the announcement
of her retirement
whenever
she is invited to participate
in a poetry reading
in the future

— we saw her do it
last week
at a poetry venue -
at sappho's -

it seemed hilarious
&
sensible

*

this afternoon
i shuffle
in my room's stasis

from flux until sunrise
to after desire
to heteronomy
needing a beginning
for a poem

i could
re-use some lines
from fake double sonnets,
free-associated
a while ago —
perhaps
not

making poetry
used to be
a partially secret life
not secretive
but private

*

the other night
at the reading
everyone
seemed to be under pressure
to be'experimental'
&
each to be differently'experimental'
from the other
to be cleverer
or wittier or funnier
or more cool
or just more far out

who's the furtherest ?

(isn't po mo over now
everything’s post po mo)

listening to the 'experiments'
i realised
there's nothing funny
about comedy
that misery can't cure

*

i found myself
lost

what is it
that i came here for again?

last week
at piccolo cafe
a friend recommended
'aesthetic trauma'

yesterday
someone told me
you don't look 70
you should try
growing up

hah!
i look 70
(70 + )



(fundamental)

make a distinction
between imagery
& reality

note
the special character
of human empathy
in interactive life

skin deep
in science
slurpees
&
the little book of calm

*

crude ‘bio’ solutions
non techno
a-scientific

air dropping
poisoned sausages
to kill feral cats

*

in the meatspace days
of home movies
& surround sound
you fell for
analog signals

twice too often

a little glitch
involving
a hyper modern
infomercial hack
&
you rejected
digital currency
&
design software

it was
all
retronymical

everything’s
different now

now
you
bluesky the content —

you just throw stuff
up on the storyboard

it’s insane it’s fast
it’s fun

&
short lines
get you
to the next day
evolution
leads to



(dingaling byways)

curled up
sort of spongily
little bit sleepy
on a quilted ottoman

*

ding-a-ling

friendly greetings

*

not a problem

you’re lying down
in
a state
art institution

*

his royal highness
watercolours
stuck
in an underlit corridor
between the foyer
& the toilets

in the toilets
the basin soap
dispenses
murky patchouli

*

this is the way
the portal works

*

drifting through
creaking parquet

*

free
screening theatrette

no advance bookings
no babes in arms
latecomers not admitted

*

prime time's
grotesque
flash back

narcissism
gives the script
an antic energy

gina lollobrigida
kept her films
in the fridge

solomon & sheba
next to dog food
beat the devil
with wilting celery

*

was
the limited theatre of thunder
the worst super8 film
ever ?

*

a few
stock phrases

ironic echo
watching
paint dry

no holds barred
rare sequel
tour de force

digital by-ways

*

crummy canteen
puky tongue
& hungry

could do with
an avalanche
of breakfasts

you know
her royal highness
duchess
pops her muesli
on instagram

(we are not
a muesli)

*

designeries’
semiospherics —

spots of blood
on toned hybrid
custom fabric

‘small mirror
large in imagination’

three purple
hair dryers
blow hot air

some kind
of modish
sculpture

exit feedback
win a trip to athens
in a dozen words
or fewer
tell us
about your visit —

on a scale
of one to ten
everyone loves
a greek fret



Pam Brown, a dedicated amateur, has published many books - most recently click here for what we do (Vagabond Press, 2018). She is a Sydneysider living on Gadigal land.
 
 
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