Article 17

Theodoros Chiotis



Physics of surfaces: a sequence diagram (extracts)

TXVsdGlwbGU=.

chatterbots underneath the tongue
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  start speaking in reverse order
making sense:
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  in words, alas, drown I.



4d 61 72 65 20 63 6f 67 6e 69 74 75 6d.

Hyperfauna and sense-bacteria –

Is it I? It is I!:
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  “the idea of the ‘double’ does not
necessarily
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  disappear with the
passing of primary narcissism”.



01000011 01101111 01101110 01110100 01100101 01111000 01110100 00100000 00101101 00110001.

Aggregates, purlieus and experimental ethology:
cascading emmiters and receptors.

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  Wyndham Lewis’ “A Battery Shelled” as
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  partial body memory.

Mitochondrial dysfunction and oxidative stress:
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  reifiers of lost sense & sensation.



In words.

Concretion reaches critical levels:
in words,
alas,
drown I.
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  Incompossibility and density.

Existence as abstraction, manifestation as abruption:

01010100 01101000 01100101 00100000 01100110 01100001 01101110 01110100 01100001 01110011 01111001 00100000 01101111 01100110 00100000 01100001 00100000 01101101 01100101 01101101 01101111 01110010 01111001 00100000 01101001 01101110 01110100 01100101 01110010 01101001 01101111 01110010 01101001 01110011 01100101 01100100 00100000 01101110 01101111 01110111 00100000 01110100 01110101 01110010 01101110 01100101 01100100 00100000 01101001 01101110 01110100 01101111 00100000 01110011 01101011 01101001 01101110  00101110 00100000

The body is now
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  a vortex of information:
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  I did,
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp  did I?



Theodoros Chiotis's work has appeared in publications such as Adventures in Form, Catechism: Poems for Pussy Riot, Fit To Work: Poets Against ATOS, Otoliths, amongst others. He has been dabbling in New Media narratives for the best part of the last decade both as writer and as researcher. He has published hypertexts, codepoetry (http://goo.gl/ylkmf), qrcode narratives, interactive theatrical plays and post-print fiction for publications such as Hyperrhiz (http://goo.gl/0239n and http://goo.gl/pM4xy). His work has also been included in the Mercy/ Liverpool 2012 Biennial podcast.
 
 
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