Article 5

otics,
restoring counter-tendencies - the original
liar); yet lyre sings to the mind so immediately
(the exalted selec-                          sation to
sive”; the section Burroughs selects from
shot 1 of the shot/reverse shot for-
edly (T 50). This image of unreach-
ior”. Burroughs has similarly stated,
few films confine        terms of habitabili-
rors the movement of the individual toward
the camera stops moving to frame the pro-
thetic” object,         a piece    of sculpture;
sub                                                    sidiary

absence
/ unbalanced,,             lights, neons   
to prove the relative absence of                             play
Freud                                     rage
and playing them back deform&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp     a      t
aldehydes them, they are gone&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp           i
tradictions discussed above. It is   
im                                          poster.

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp               facing
facing up to the so   cio        cific
turn of the screw    bol          ting
de                sire to the    lack of po
suturing over the wound of
castration

                    pec    
u    
liar
ly    

re   
quires dreaming of repre
                                                                                     it
ducibility in the former. To pry 
an object from its shell, to destroy its aura, is the
error