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Vaughan Rapatahana




I carry a rage
it gnarls my shoulders
&corkscrews my eyes
into a question mark
of conniption.

Wittgenstein ultimately
&nbsp&nbsp&nbsp&nbsp  surrendered;
just could not
punctuate his language
&nbsp&nbsp&nbsp&nbsp i
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp n
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp t
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp o
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp sub
&nbsp&nbsp&nbsp&nbsp m i s s i on.

yet the question
endures the same:

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp why
&nbsp&nbsp&nbsp&nbsp are&nbsp  we
mis&nbsp  interpreted
all&nbsp&nbsp&nbsp&nbsp  the&nbsp&nbsp&nbsp  time?


e pīkau ana ahau he riri
kua rerehe taku pokihiwi tēnei
me e wairori taku mata
ki he tohu pātai
o te keka

ki te mutunga i Wittgenstein
&nbsp&nbsp&nbsp&nbsp kua whakahauraro
kāore e tāraro ia tonu
nāna te reo
&nbsp&nbsp&nbsp&nbsp k
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp i

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp h
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp e
&nbsp&nbsp&nbsp&nbsp tāpaetanga

te pātai anō
e whakataumaha anō

&nbsp e whakaparori
&nbsp&nbsp&nbsp&nbsp  māua
te&nbsp  taima&nbsp  kātoa
he aha ai?
I carry this rage
e pīkau ana ahau tēnei riri
“The settler makes history and is conscious of making it. And because he constantly refers to the history of his mother country, he clearly indicates that he himself is the extension of that mother-country. Thus the history which he writes is not the history of the country which he plunders but the history of his own nation in regard to all that she skims off, all that she violates and starves.”
― Frantz Fanon, The Wretched of the Earth




he patai

e asked,
h so
s who
are
you
really
because
you
seem
to
warp
constant
from
day
to
day?


i
don’t
know.




Vaughan Rapatahana (Te Atiawa) now resides back in Aotearoa-New Zealand, with homes also in Tin Shui Wai, Hong Kong and Pampanga, Philippines. He has been fortunate to have been published widely internationally and his latest collection of poetry, Atonement, was jointly published in Hong Kong and Macao earlier in 2015.
 
 
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