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John PurschPried Pajama MoonlightBlackened cloud banks paint thematic skyline humps with cool enamel capillaries, blowing lapidary leaves in chesty teacup masterminds of heist mechanic Plexiglas...
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Cherie Hunter DayC stricturecounsel Odistal Omirror ER2A2Shine HouseTurn O2Cherie Hunter Day’s graphics and photographs have appeared in a variety of publications including Juked, R’r, and previous...
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Marilyn StableinVisual Journals, New York 1998 - 2003#1, Ginsberg#2, Feather#3, Legs#4, Dia#5, Tarot#6, AXISMarilyn Stablein is a poet, essayist, fiction writer, performer, and artist working in...
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Issue thirty-four Date of Publication August 1, 2014.Individual pieces Copyright © 2014 by their respective creators Editor: Mark YoungMost of the images in Otoliths can be enlarged by clicking on...
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issue thirty-foursouthern winter, 2014Flora ValleyMark YoungCONTENTSabout    archives    books   ...
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Bobbi LurieNotebookBobbi Lurie previous page     contents     next page
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harry k stammer“it’s not time”(also) porous contingent (drag leg)4th wheel crack “could have been even more…”diagonal line from the screw (the not) plastic type against“maybe a plot” metal against...
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Volodymyr BilykBee— as Gary Barwin said: "error messages in desperate tries to urgently tell us something about our culture, our technology, and the future"Volodymyr Bilyk is a writer, translator and...
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Virginia LuckThe Art of Saving a Life1.Here her body was dying. Here her body was giving birth. Blood appeared in pools next to her and her father could not look at the blood. And so he, who’d been by...
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Sarah JamesThe Zaniness of ZAn Insomniac Version of SleepA Modern Moth-eaten Moonstruck MyopicRound Hole in Square PegCracking UpFaithlessly De-heartedSarah James. Sometimes heart-felt, sometimes...
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Roger MitchellROCHELLE RATNER: AN APPRECIATIONAll this trying to calmlyaccept what I am is morethan I can...
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Marilyn R. RosenbergMisty predawn/just into dark, summer, 2014- on acid free textured heavy paper, acrylic lacquered. This Asemic visual poem, bookwork, is in three brass hinged wood structure/frames,...
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Andrew CantrellDUSK OF CLEARINGThe room what's more took on (what's) more Took on a darker and it in its displacement In imagined disguises in alluring glances In atmospheric rudiments held a like or a...
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Kyle HemmingsThe PathBig RedColored CityMailboxOld BridgeKyle Hemmings previous page     contents     next page
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Dennis VannattaAfterglow               When you meet somebody and wind up liking them...
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Elizabeth AllenOutpatientfor Roman‘Have you ever been admitted here?’she asks, checking my credentials.(It’s funny how here I’m not mad enoughwhereas everywhere else I’m too mad.)I feel like telling...
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Anders Enochssonbladder pressurefrenzy swings wide openwalking around circles under hot treesHas she been here he quarrels in the smokyunderground va-ja-jasmoking voices enteringswamp sickness friendly...
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Marcia Arrietalanguageescapesfrom artoccasionallylike a bluestone floatsuponwaterthe lost territoryfireflies in a field sliver of a moonas we connect the starsthe eccentriccreates squares of blue...
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Seth Copelandfrom Sequence for Wichita Flowers(1) pitcher’s clematisbrooding goth bat leaves—open palms, kris daggers, green high collars for capes : blooms—damson phantasmagoria, bowed ghouls,...
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Craig CotterDo I Go To San Clemente Tomorrow To Look For Sean?It's been 4 years sincehe was 16skimboardingnear the Fourth of Julyat West Street Beachperfect brown, 5-8, 130,smooth glistening...
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