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Robert van VlietThe Light’s Agitation1. Mirrors 	she smiles a figure at once immobile and emerging eyes closed almost lost 	her head back  		ring flashing she shows her throat to the fog coiled unsprung a poise 	of question these arms softened  		by the effort 	a shrouded moon and she drops suddenly  	into being but 		not into sight a figure crouched  		lit 	by its own fires  which flare 		but bring no warmth 	the water surges from dark to dark  she dips her arm she will carry us we will not  	drown  		a star falls the bird  		in the northern 	darkness marries the aurora  please  		love  	stay my hand  and  		the moon is a hand    	one state empty  the sky   		the hand aflame  beside her  		open   	in the whisper   of her own dawn    she rises     2. Broken In another room hardly  spoken Not referring not  denoted You see into  this room You see  the branching silence  green capillaries combing  the sky blue You see  these shadows  the afternoon’s illegible  signature You feel  shuddering flocks  of particles breaking  wave on wave on  your reaching hand A  figure emerges stepping  between you and the surf  and draws the curtain  You are dust hanging  in the light giving  identity to the light  slanting through the room  And she cannot shut  you out She draws  the curtain and still  she breathes you in  stirs you sending  a flurry of you around  her You especially love her  arms after she drops  them to her sides You  are the room and  you hold her close  even as she draws  away Each moment  here is a broken habit     3. You Took the Suni you took the sun from my pocket and prowled the morning  streets scouring them empty  	ii the moon a smiling bullet a serious question underfoot not stepped on lightly the moon as I said the moon howl the word a teacher once   said in an unguarded  moment that every  story and every poem tells you somewhere how to read it then he recanted laughing ruefully read this   poem ruefully and  quietly your mouth  filled with broken glass  fragments of the shattered  moon plunging  through the naked trees     4. Mirrors 	she rises open  in the whisper of her own dawn the hand  aflame beside her the sky  	one state  		empty and the moon  is a hand please  		love  	stay   my hand the aurora 		marries the bird  in the northern  darkness a star  	falls  we will not drown she will  carry us  	she dips her arm  		the water  surges from dark   		to dark  	lit by its own fires  which flare but  bring no warmth  a figure crouched  and she   	drops suddenly  		into being but not into  sight 	a shrouded moon 		these arms softened  by the effort 	a poise   		of question coiled  	unsprung  she shows   her throat  	to the fog  		her head back  	ring   		flashing eyes closed   	almost lost 		a figure   	at once   		immobile   	and    		emerging    she smiles     5. These Momentsi A parable might  suit this moment were there one with roots just beneath  the grass breaching   here there Dolphins  at dusk But no Such a fable  with patience like the tide   would ebb It would  recede to bare the earth knotty and  gaunt  	ii A woman is no story She wanes slips unseen through sunlight and grows like a shout a yawn Then at last  rises heavy and red beyond  words beyond pain   to tilt obliviously over the islands and horses and swooning  waters She rises far above the fables but pulls them gently  tugs their pleats misaligns their yarns and vanishes insouciantly into a  cloud     6. On Cold Mountain, Laughter from Afar Sounds like Weepingi : Beside Lake Harriet I see dead grass beneath a tattered quilt of dirty snow, and the mottled road flashing beneath my tires like an old man’s parched scalp. The frozen lake is a grinning palm, its fingers uncurled and lost in the surrounding city’s grid.  And white light craves the grouse-hued hill across the bald highway. But the light’s agitation, drawing the world in stark lines unbearably sharp, the light is an insurrectionist, brash, insurgent, young. So fleet, its revolution stands still.  	ii : Moraine This hillside, pushed here some long time ago by rude ice, this hill interrupts the sunset. The sun slips away. My heart drops with it, a tambourine down a staircase. And sorrow clutches me. The sun will not notice me here tomorrow.  	iii : Kairos Here, incoherent sorrow; imagine, I suppose, how a building falls as you look past it to the clouds. And on this loom, we shuttle at the nose of unmeaning. Acts ravel, acts unravel. We shuttle with our eyes closed.    	iv : The Little Dog I linger in memories: a neutrino passing through everything, never tagging anything. I slip between you — under the rock; through the furnace; out toward Hong Kong or Marion Island; then off to Procyon, and Gomeisa.  	v : The Place And the beaked and trestled trees, bare, mocking the houses, so ignorant of gravity, they drink the same well water, they flex the same bones as the squat, ungrowing homes looking back and forth, riding slowly down into the earth.  The answer to the question asked by the beleaguered trees, at the place where we stumble every time, at that crooked corner that fools us, there where that wandering syllable settles into uneasy mud: a world made from a thread,  a world tangled in its own mutterings, a world in which we can be one moment at rest and the next a blur, where we can clutch tasseled silence to us one moment then let it shiver, driven by the wind; where spoken we are mute.    Robert van Vliet is a poet, designer, and teacher who lives in Minneapolis. His poems have  appeared in The Sixth Chamber Review, Autumn Sky Poetry Daily, The Eunoia Review,  Haikuniverse, Otoliths, and elsewhere.     
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