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Michael Gottliebsections from Mostly Clearing13who knewwho talkedsomeone must that dead man’s curvethat hairpinwhere oncewe spun outperchance to persevereto wait no longerwhat its really likethus I...
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Jeff HarrisonWouldn't weWouldn't we as a memorial to Actaeon stay away from every and each hart, wouldn't we, were it not that at each hart we know this one isn't Actaeon, here we don't go astray.Were...
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Susan GangelPAINTINGS: Stakeout Series 29-31(29)Spin cycle confounds the maidenSaplings in the snowNO ONE CALLED US BACKWire treads in a rubber wheel...
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gobscurefrom le anarchgobscure writes: "our last performance - square pegs into roundholes (or reducing psychiatry to firewood in under ten minutes before handing out the resist ants) can be seen at...
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Joseph Buehler NumbersIf we could carefully deposit the number nine over there on the extremeleft side of the page then we could possibly secrete the number six (whicheverybody knows is the exact...
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Jim McCraryfrom Red Hot Son EttesWhat if from here to whereEver comes before the finish of thisCan we ever return to thatCan that everCan thatIt is not just because I can eitherWay is no more than...
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Tim MurphyENVELOPE HATREDThe doors are like parchments and yearning is shutting down the sunset. Silken gusts push me down rural trails. I call to a woman who is doing something in a disclosed mansion;...
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Xe M. SánchezDENDE FAI TIEMPUDende fai un tiempufálase abondud’anuncies falses.Nun sonun inventu modernu.De xemes en cuandu,cuandu lleo dellos llibros d’hestoria,cuéstame enformaatopar la llendepente...
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Gareth Morgansong for the first stuckist in australiaThey are an aberrant version of conceptualism by default, using the same devices to promote something that's very conservative. (J Enberg)he's so...
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Keith NunesGraphic DomainInside the MachineShe’s the OneLemons disperseOn green floorChill cuts skinsServings table-toppersRid gidInflex ibel‘Soozee’Arm as radar waves over dull roomSweet teethSpitless...
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Andrew Brenzafrom Impossible MachinesAndrew Brenza is the author of Gossamer Lid (Trembling Pillow Press, 2016), a full-length collection of visual, concrete and word-collision poems derived from the...
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Tom MontagTHE OLD MAN IN BOMBAY BEACHHow sad you must beto live out your lifealong the SaltonSea, to eat the dustof loneliness, andthen to eat some more.I'm not saying youhave chosen badly,though...
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Tony BeyerThrough the Mallee with Ernhe whinged and grizzledthe whole waywindow up too hotwindow down too dustyhis lungs and the garage doorscrapingevery time Ethel brought him a cup of teawhile he was...
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Dawn Nelson WardropeUnwordsDawn Nelson Wardrope is a concrete visual poet, mail and collage artist, and enjoys asemic wrighting. Her work has appeared in various magazines such as Utsanga, Timglaset 6,...
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Michael O'Brienhalf his errors doneA man steps out of a doctor’s surgery. He pauses. He puts the prescription in his inside pocket — a finger accidentally rubs the bus ticket [no one notices]. A drip...
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Anna CatesATLANTISMasonic lodge— the compass measuring shifting zodiacmegalithic rockerections mastermindedby megalomaniacs elongated skulls— mysteries of Stone Age pyramids September sun sinking...
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Pete SpenceI Figure.i figure right hereto move on to the next lineeverything else dissolvesinto a foggy ether wheresummer is just on holdsomeone goes past lookingfor the lid of summersomewhere in the...
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Siham KaramiWatchMovements jerk over the horizondraped wherever they can find a place:toadstool, rumpus room, rummage or foraging for uniform whispersin a sweep of love trucks pulling in. Could be...
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